SOME ONLINE ARTICLES I'VE FOUND
April 29, 2008 11:07 AM
Meat Loaf voted ideal driving song
The Meat Loaf classic 'Bat out of
Hell' has been voted the best song to
listen to while driving.
It topped a survey of 2,000 British
motorists beating the home grown
'Bohemian Rhapsody' by Queen into second
place, Steppenwolf's Born To Be Wild
came in third.
The survey also fond that the music
drivers listen to can influence the
speed at which they drive, with blues
fans the most likely to be caught
speeding.
Drivers listening to talk-based radio
stations were found to be less likely to
have an accident than those listening to
music, just 22 percent admitted a crash
compared to 78 percent.
Andrew Goodsell of Saga who commissioned
the survey said: "Interestingly, the
research shows that although certain
types of music are often thought of as
having a relaxing effect on the
listener, there is no proof that this
results in a more tempered driving
style."
December 01, 2003 12:02 PM
by Rob Evans
liveDaily Editor
Just two weeks after undergoing heart surgery, Meat Loaf has been cleared
by doctors to resume his U.K. tour.
The 52-year-old singer said in a London press conference on Friday (11/28)
that he hopes to perform in Dublin on Tuesday (12/2), and to fulfill the
remainder of his scheduled dates. He also plans to reschedule all of the shows
that he postponed in recent weeks due to illness.
Among the shows he plans to make good on is his Nov. 17 appearance at
London's Wembley Arena. He collapsed about an hour into his performance on
that date, and was taken to a hospital.
He was later diagnosed with a heart condition known as
Wolff-Parkinson-White syndrome, which causes an irregular heartbeat.
"Basically, it is a condition where an individual is born with an extra
electrical pathway in the heart," Meat Loaf said in a
statement issued last
week.
"Your heartbeat can get up to 300 beats per minute and then it explodes, so
that would have been uncomfortable," he addeda in last week's press
conference. "I guess I cheated death."
He underwent a catheter ablation--during which the extra electrical pathway
is removed to restore a normal heartbeat--on Nov. 1 in London.
November 25, 2003 02:47 PM
by Rob Evans
liveDaily Editor
- Theatrical rocker Meat Loaf underwent heart surgery on Friday
(11/21), after doctors discovered that he has a condition that causes an
irregular heartbeat.
"I went through a whole week of tests for my heart and lungs and they found
out I have a condition called Wolff-Parkinson-White Syndrome," the 52-year-old
singer said in a statement posted on his fan club's
website. "Basically, it
is a condition where an individual is born with an extra electrical pathway in
the heart. Many, many people are born with this condition and can live their
whole lives without ever knowing it is there. Mine appeared to have remained
quiet until now. The cardiologist performed an angiogram on Friday and they were
successful in removing the extra pathway (a procedure called 'ablation').
"The prognosis is excellent as the procedure's success rate is over 95%. I
was in surgery for around two hours, out of the hospital and back at the hotel."
He added that he hopes to resume his current U.K tour on Dec. 30, if he gets
the O.K. from his cardiologist.
Meat Loaf's Nov. 17 performance at London's Wembley Arena was cut short after
the singer collapsed on stage. The collapse was blamed at the time on
"exhaustion due to a prolonged viral infection," according to a press release.
He tried to resume the show after collapsing, but was advised by on-scene
paramedics to go to the hospital.
The week before, he postponed two sold-out performances "after being struck
down by a particularly vicious bout of flu," according to a press release.
Meat Loaf was in the midst of a sold-out, 18-date U.K. tour to back his
latest album, "Couldn't Have Said It Better," which surfaced in late September.
November 18, 2003 11:08 AM
by Jon Zahlaway
liveDaily Staff Writer
Singer Meat Loaf's Monday-night (11/17) performance at London's Wembley
Arena was cut short after the singer collapsed on stage.
The collapse was blamed on "exhaustion due to a prolonged viral infection,"
according to a press release. Meat Loaf tried to resume the show after
collapsing, but was advised by on-scene paramedics to go to the hospital.
The incident occurred during the first of two consecutive sold-out nights
at the venue, and caused the cancellation of Tuesday's (11/18) scheduled
performance.
According to a statement, "Meat Loaf will be re-evaluated by doctors today
and further information about his status will be made available."
Last week, Meat Loaf postponed his sold-out Nov. 13 and Nov. 15
performances under doctor's orders "after being struck down by a particularly
vicious bout of flu," according to a press release issued on Friday (11/14).
Meat Loaf is in the midst of a sold-out, 18-date U.K. tour that backs his
latest album, "Couldn't Have Said It Better," which surfaced in late
September.
Saturday, September 20, 2003
Bat man is back
Meat Loaf convinced to do third sequel to hit album
By JASON MacNEIL -- Toronto Sun
Meat Loaf says his album Couldn't Have Said It Better, set
for release Tuesday, was supposed to be his last. But there's been a slight
change of plans.
"Yeah, we're doing it," he says from his Toronto hotel room, the "it"
referring to Bat Out Of Hell III. "That's why I said this was going to be the
last record, but we're going to do III. I'm not going to tour. I may do a show
or two but I'm not going to tour."
The musician, who wants to concentrate on his acting career under his real
name Michael Lee Aday, is currently in the middle of his last world tour. It's
a tour he knew would be his last for some time.
"I wish it was over already," he says. "I've just had a bad summer, I've had
(emergency intestinal) surgery, and then I got really ill, and then I got
freaked out, and I've been stressed. When we went out on tour last summer and
it was called the Just Having Fun For The Summer Tour, it really was fun.
"Not all the shows have been as good as I wanted. I had these terrible nights
in the dry climate and I'm sick and I don't actually know I'm sick. I hate
cancelling so I just keep going anyway. And then people can tell me how good
the show was and I want to shoot them."
Meat Loaf rose to stardom with an appearance in The Rocky Horror Picture Show,
but his fame reached new heights with his 1977 album Bat Out Of Hell, which
has sold more than 30 million copies. The songs he wrote with Jim Steinman,
such as Paradise By The Dashboard Light and the title track, were instant
classics.
The 57-year-old says his new album was more enjoyable to make than 1995's
Welcome To The Neighborhood.
"Welcome To The Neighborhood was a rush-rush, push-push thing," he says. "In
fact every album except Bat and this one have been rush-rush, push-push. You
gotta get it done! You gotta get it done! Every one of them!
"So I said, 'I'll never do it again.' And I didn't, I waited until I thought,
'Okay, I have nothing else left to say right now on this record. I have no
other scenes in my head.' It's really not what I'm saying but what scene I'm
playing, and have all the scenes been played inside this little play? All the
scenes that should have been there were there."
Meat Loaf says that while he juggles both acting and music, he doesn't see any
difference between the two.
"What you take is reality, you make them real," he says. "That's what acting
is and that's what it should be when you're on stage. But I don't see too many
performers on a rock stage who make it real. You're just singing words and
singing melodies if you're paying attention to the audience.
"It would be like going to see Shakespeare and the guy is doing, 'All the
world's a stage...' from As You Like It. Instead of being in that world, he's
out cruising the front row and then giving them high-fives. People would be
going, 'What is this clown doing?' If you're going to sing a song, there's no
difference."
The singer says he might consider running for politics given the state of the
world. He lost two friends in the 9/11 terrorist attacks while he was at the
Toronto International Film Festival promoting the film Focus.
"(The world) is almost like Alice In Wonderland, The Mad Hatter, it's lost its
mind," he says. "It's completely insane. It's just completely gone to hell in
a hand basket.
"At least if I go do a show, I'm going to Kansas and 12,000 people show up
they don't have to worry about what's going on for the next two, or
two-and-a-half hours. Let's go off on a dream, let's go on a road trip."
One thing you'll never find him doing is reading his own press, and for good
reason.
"There was a show that I got sick and we cancelled," he recounts with a laugh.
"And the next day we were still in that town. There was a review of the show
in the paper. And it was a good review, too!"
May 21, 2003 12:44 PM
by Rob Evans
liveDaily Editor
Theatrical rocker Meat Loaf will say goodbye to extensive road trips
with a 15-month world tour that opens in California this June and is so far
scheduled to visit more than 30 North American cities.
The singer-actor will play concert dates in the U.S. through September
before traveling to Europe, Australia and Asia. Additional treks through
Europe and North America will follow before the tour concludes.
Cyndi Lauper and Kasim Sulton will split opening act duties; details can be
found in the itinerary below.
Meat Loaf's publicist told the Associated Press earlier this year that the
artist plans to devote more time to his acting career. Among the movies he has
appeared in are "The Rocky Horror Picture Show," "Fight Club" and "Crazy in
Alabama."
Though a U.S. release date hasn't been announced, Meat Loaf's first new
studio album since 1995's platinum-certified "Welcome to the Neighborhood" has
been issued in Europe and Australia. Titled "Couldn't Have Said It Better,"
the new album features contributions from Diane Warren, Motley Crue's Nikki
Sixx and Better Than Ezra's Kevin Griffin. It was produced by Peter Mokran,
who has mixed and/or engineered albums from 'NSync, Christina Aguilera and R.
Kelly.
Meat Loaf's 1977 release, "Bat Out of Hell," has sold more than 14 million
copies in the U.S., according to the Recording Industry of America, which
ranks the album at No. 24 on its all-time sales list.
April 23, 2003 04:58 PM
by Rob Evans
liveDaily Editor
Theatrical rocker Meat Loaf will say farewell to touring with a 15-month
world tour that opens in California this June.
The singer-actor will play concert dates in the U.S. through September
before traveling to Europe, Australia and Asia. Additional treks through
Europe and North America will follow before the tour concludes.
Meat Loaf's publicist told the Associated Press earlier this month that the
artist plans to devote more time to his acting career. Among the movies he has
appeared in are "The Rocky Horror Picture Show," "Fight Club" and "Crazy in
Alabama."
Though a U.S. release date hasn't been announced, Meat Loaf's first new
studio album since 1995's platinum-certified "Welcome to the Neighborhood" has
been issued in Europe and Australia. Titled "Couldn't Have Said It Better,"
the new album features contributions from Diane Warren, Motley Crue's Nikki
Sixx and Better Than Ezra's Kevin Griffin. It was produced by Peter Mokran,
who has mixed and/or engineered albums from 'NSync, Christina Aguilera and R.
Kelly.
Meat Loaf's 1977 release, "Bat Out of Hell," has sold more than 14 million
copies in the U.S., according to the Recording Industry Association of
America, which ranks the album at No. 24 on its all-time sales list.
21 December 2001
My London: Meat
Loaf
Anna Pursglove
Where do you live and why? LA, because that's
where the film industry is. Do I find it too hectic? Not really. The beautiful
weather helps, obviously, and when I don't want to see people, I just hole
myself up at home.
If you could change one thing about your street, what would it be? My
next-door neighbour - man, he's a lunatic. I only moved in last August and the
guy has caused me nothing but trouble. We share a drive and he's started parking
his car sideways across it. He videotapes everyone who comes in or out of my
house and, if he sees a package outside the door, he hoses it down.
Are you a member of any club? One of my favourites is The Magic Castle
in Hollywood. It's a restaurant and club done out in Twenties style. Magicians
get membership or you can be an associate member - which I am.
What was the last book you bought? Harry Potter. I've seen the film
but I haven't read the books yet.
What's your favourite restaurant? My favourite LA restaurant is a
Californian/French fusion place in Santa Monica called Chez Mimi.
Where would you most like to spend a 'lost weekend' in London? I
wouldn't know where to begin, dear. I'd probably get lost in the literal sense
and have to ask for directions.
What keeps you awake at night? Movies. Just to give you an idea of how
many I get through, I'm touring in Europe at the moment and have so far got
through 100 DVDs in 45 days.
What's your earliest memory of London? It was 1974 and I came over to
film The Rocky Horror Picture Show. I remember that the TV schedules finished at
10.30pm and I thought: 'What the hell do people do in London after 10.30pm?' The
answer was drinking and f***ing. And as I don't drink...
What is the most beautiful London landmark? I'm not sure about
beautiful but the thing I always think of is the address, No 1, London. That's
where I'd like to live if I ever moved to England.
And the ugliest? That BT tower isn't great but, when you live in LA,
nowhere in London seems that ugly.
What was the last film you saw? Did you enjoy it? Yesterday I watched
Best in Show on DVD. Chris Guest is a genius. I loved it.
When and where did you last get drunk? Although I don't really drink,
I did try some margaritas at a friend's birthday party back in August.
Apparently, I was very funny. I believe I walked around the party telling
Hollywood stars to f*** off.
Where is the most intimidating place in London? Any nightclub. Believe
it or not, I'm a really shy person. I get intimidated in pizza parlours.
What don't you leave home without? My computer games. When I'm on the
road, I relax by playing those fantasy sports games.
Admit to one thing you've done in London that you've never told anyone
before. I went to Madame Tussaud's, which is probably something you
shouldn't admit to. On the same visit I went on one of those open-top,
double-decker bus tours.
When did you last lose your temper? Last week with a business contact
whom I found out I couldn't trust. That's the thing that winds me up the most -
people who aren't straight with me.
Where did you last blow ?2,000 and what was it on? I did blow $1,000
on DVDs recently.
What do you miss most when you're away from home? The weather. I've
been in Rotterdam for the past 14 days. Does it ever do anything but rain in
Europe?
Name a song that you associate with London? There's a song called
'Tattooed Lady'. God knows who wrote it - I think it's quite old but I heard it
in a London pub in the Seventies.
Is there a shop that you couldn't live without? A wholefood grocer's
near my home in LA. I'm really fussy about what I eat.
Have you ever been refused entry anywhere? No - mainly because I never
really go anywhere.
Have you ever been a victim of violence? A guy once tried to mug me in
New York but I told him I didn't have time. He told me he had a gun. I said: 'So
shoot.' He didn't bother.
What is the most expensive meal you've had and who did you eat with? I
can't put a price tag on it, but it would have been at La Boh?me in West
Hollywood. It's one of my favourite places to spend money.
What's your favourite meal to cook at home? I hate cooking at home -
and I hate it when other people cook, it gets the kitchen all messy. The only
pieces of kitchen equipment I use are my George Foreman grill and my microwave.
What's your most memorable night out? It would have to be one of the
Brit Awards in the mid-Eighties. I was sitting at a table with Eric Clapton and
Donny Osmond and Prince walked in. His bodyguards told us that we weren't
allowed to look at him. Me and Eric spent the rest of the night staring at him.
It freaked out his bodyguards completely.
What is your favourite view in London? The one from the suite on top
of the Royal Garden Hotel. You can see all the way across Kensington Palace
Gardens.
What and where is your favourite work of art? I own it. It's by the
American impressionist Childe Hassam and shows a scene of 57th Street in the
snow. It was painted in 1904.
What last made you cry? Probably a movie but I can't remember which
one ? I'm quite sensitive, so I cry easily.
Where in London would you have your ashes scattered? In London? Boy,
that's hard. Probably the closest I could get to Yankee Stadium, so Lord's
Cricket Ground.
If your house were on fire, which three things would you rescue? A
couple of family photos and my Childe Hassam.
Finally, what exactly was it that you wouldn't do for love? Do you
know how many times I get asked that question? It's really obvious if you listen
to the lyrics [which he, incidentally can't remember]. I don't know why people
find that song so confusing.
Sunday, September 30, 2001
A new day for Meat Loaf
The name's changed, but he's still in Focus
By JIM SLOTEK
Toronto Sun
For the record, the name is now, legally, Michael Lee Aday.
It's not Meat Loaf, nor Meat Loaf Aday, nor even his birth name, Marvin Lee
Aday.
"Names are so weird to me," says the singer and actor who's still best known
for groping and frenching his backup vocalist night after night onstage in the
'70s rock opus Paradise By The Dashboard Light. "I mean, I've been called
'Meat' most of my life. I can't deal with names, it's confusing."
As he kicked back with a Cuban cigar on the balcony of his room at the Four
Seasons Hotel during the Toronto International Film Fest, it seemed logical to
draw a line between the bombastic rock-operatic personality "Meat" and the
thinner and thoughtful actor-for-hire who was in town promoting his role in
the film of the anti-racist Arthur Miller novel Focus.
For one thing, "Meat" began as a cruel nickname foisted on him during a
traumatic Texas boyhood by his alcoholic father -- a man Aday now calls, among
other things, "a racist."
"But my mother was not. And my mother (who died of breast cancer when Aday
was 19) influenced me far more than my father did. In fact, any parental
influence in my life, my mother gave it to me, musically, morally, she's the
influence in my life. Really. Right there."
That her influence flies in the face of some of his movie roles goes without
saying. Set in the 1940s, Focus revolves around an ordinary middle-class white
American (William H. Macy) whose life turns to hell when a new pair of glasses
apparently makes him "look Jewish." Aday plays the man's next-door neighbour
Fred, who begins looking at him with fear and malevolence even as he tries to
enlist him in a head-bashing organization of "America First" racists.
"I didn't claim Fred as evil," Aday says. "I never thought of him as evil at
all. He was on that road, but I think he just wanted his block to conform to
how it should be. It's all based on fear. To me, racism is completely absurd.
It's like in that old Star Trek episode where the guys are half black and half
white and they hate each other. And Kirk says, 'What's the difference?' And
the guy goes, 'Well, he's black on the right side.' "
Similarly, the redneck Southern sheriff he played memorably in Crazy In
Alabama (on the trail of suspected spouse murderer Melanie Griffith) "was,
again, a very stereotypical character in whom I tried to find some inner good.
That character is more in touch with the situation of what's right and what's
wrong than Fred was, even though he's still a redneck sheriff."
There are no such shades of grey in his character in The 51st State, a movie
in which he'll be credited for the first time as Michael Lee Aday. In it,
Samuel L. Jackson plays an American superchemist who looks to score on a major
drug deal. Aday is a lowlife named Lizard. "It's a black comedy," he says,
"and I play a person with no redeeming qualities at all. I just went with it,
and created somebody who's not likable on any level."
(Aday says he was assured that Focus would be the first movie with his new
name -- "Paramount was going to change the trailer, but finally they said it
would cost too much money." When that one's released, he'll be Meat Loaf Aday.)
I suggest to him that the sweet and tragic testicular patient he played in
the controversial Fight Club might be closer to his real character (a
survivor, the amiable Aday has battled various health problems of his own, as
well as the rock 'n' roll lifestyle, before settling in as a husband and
father of two daughters). But the notion of any of his characters reflecting
his real life horrifies him.
"If you see me in any way, that freaks me out," he says. "Forget Meat Loaf,
'cause that's a whole other persona. He's like a cross between something
terrifying and Red Skelton, it's something really overacted, a song and dance,
a musical comedy.
"But even just seeing me ... it drives me crazy to see any piece of me
onscreen, 'cause I really try to go to a physical place with these people I
play. I'm like Shirley MacLaine channelling ... (he laughs) ... Okay, I'm not
going that far, but you hear actors all the time say, 'I'm bringin' such and
such from myself into this.' Well, I don't wanna. I don't want to see me up
there, and I hate it when I actually do pop through. There's one little moment
in Focus, you'll never see it, but I saw it, just for a hair. And it really
bothered me."
Fans will see that other guy, Meat Loaf, back on stage in the next year.
His new album, due in March, is called Testify -- "which is something I've
been doing my whole life. I should have been a preacher. If you liked my last
record (Bat Out Of Hell 2), you're gonna forget that last record. This record
is me, sounding like me, but it will surprise you."
And no, it won't be produced by his legendary mentor/Svengali Jim Steinman, a
reunion he won't discount.
And it goes without saying that the proportions of his character in concert
will be less "something terrifying" and more "Red Skelton." Aday wrestled with
many demons in the Bat Out Of Hell days, sustaining a dozen or more
concussions through sheer physical punishment, and "hitting the wall" twice in
Toronto.
Once he ended up here after suffering a breakdown and going missing, while on
another occasion in 1978, he fell off the stage during a Toronto show and
ended up in a wheelchair for a month.
Just don't call him a rock star. "It's like people call me a rock star or
this or that. And I go, 'Don't call me that. I don't think of myself in those
terms. If you have to call me anything, call me a chameleon.' "
Tuesday, September 11, 2001
A slice of Meat Loaf's
By CLAIRE BICKLEY -- Toronto Sun
TORONTO -- Focus co-stars a fellow you might know as Meat
Loaf, playing Fred, a neighbour who falls in with an anti-Semitic gang of
thugs. And while he's billed in the movie as Meat Loaf Aday, yesterday was his
debut as Michael Lee Aday.
"The studio (Paramount Classics) insisted I keep my name as Meat Loaf," the
Loafster said yesterday.
Seems they wanted whatever star power they could get. However, he was billed
as Michael Lee Aday at yesterday's presser and vows to remain so throughout
his film career.
"I'm a very confused person 'cause I've been called Meat all my life. But that
other guy (Meat Loaf) is a character," he says. "I'd be appalled if I thought
people were thinking about him when they saw me onscreen."
Not to worry, though. Meat Loaf will return in March, when he releases his new
album Testament.
December 07, 1999 05:24 PM
by Rob Evans
liveDaily Editor
Meat Loaf has extended his VH1 "Storytellers" tour, which got underway in
late October, into the new year. Meanwhile, the theatrical rocker's management
has announced that the Columbus concert that was to take place today (12/8) has
been postponed because the artist and some crew members have come down with the
flu.
Tickets for today's show will be honored on the show's rescheduled date of
Dec. 21.
Meat Loaf is touring in support of the "Meat Loaf: VH1 Storytellers" CD and
the autobiography, "To Hell And Back" (Regan/Harper-Collins), both of which were
released in September. The theater tour has so far focused on the East Coast and
the Midwest, but shows in the South dominate January's itinerary. The tour's
first California stop is also among January's dates.
The "Storytellers" tour recreates the same football locker set used by Meat
Loaf on his appearance on the VH1 "Storytellers" television show. As on the TV
show, Meat Loaf peppers his audiences with anecdotes from his career between
songs. Expanding on the format, he invites audience members to sing backup on
"You Took The Words Right Out Of My Mouth" and to act out "Paradise By The
Dashboard Light"
Meat Loaf's first album, "Bat Out Of Hell," is one of the five top-selling
albums in history, with 16 million copies sold in the United States and 30
million worldwide.
August 23, 1999 12:00 PM
Music News
By Jane Cohen and Bob Grossweiner
Meat Loaf is taking VH1's "Storytellers" concept on tour, marking the first
time the cable series has been outfitted for the road. The 23-date, 21-city East
Coast/Midwest theater tour will launch on Oct. 30 in support of the forthcoming
"Meat Loaf: VH1 Storytellers" CD and the autobiography, "To Hell And Back"
(Regan/Harper-Collins), both due Sept. 14.
The theatrical rocker will recreate the same football locker set used on his
VH1 "Storytellers" performance for the tour, and -- like on the show -- will
pepper the audience with anecdotes from his career between songs. . Expanding on
the "Storytellers" format, Meat Loaf will summon concertgoers to join him
onstage to sing backup on "You Took The Words Right Out Of My Mouth," and will
invite audience members to act out "Paradise By The Dashboard Light."
"Storytellers has allowed me to do the one thing I've always dreamed of
doing: bring my audience, my songs and my show together on one stage," Meat Loaf
said in a statement. "It feels like what these songs, these stories have been
destined for this all along."
Meat Loaf's first album, "Bat Out Of Hell," is one of the top five selling
albums in history, with 16 million copies moved in the United States and 30
million worldwide.
Tickets for the first leg of the "Storytellers" tour go on sale on VH1's web
site (www.vh1.com) on Sept. 13. Remaining tickets will be available at
traditional outlets starting Sept. 25. The tour will hit the West Coast in early
spring, then will continue on a European jaunt.
For those still without their fill of Meat, he can be seen in two upcoming
films. "The Fight Club," starring Brad Pitt and Ed Norton, is set for an Oct. 15
release. "Crazy in Alabama" with Melanie Griffith will be released Oct. 22.
September 28th, 1998
Rock Around the World
Newspaper Articles - Issue 18
MEAT LOAF
COMING UP!
by Marc Shapiro
There are two constants in rock and roll. One is the teenager lament as
fodder for every pop song recorded since the flood. The other being that each
and every interpreter of said songs must have the physical dimensions of a
pencil.
What? You thought that being skinny was just a fad started by Peter Framptron?
Hell! Everybody from Mario Lanza forward knew the value of malnutrition as that
first rung up the ladder of stardom. But alas, it seems that even these sacred
cows are a thing of the past as, at a recent Roxy show, I saw a demented Figaro
do an operatic rock stomp on a whole club full of security blankets. The culprit
in this crime against nature was a rather bulbous elf called Meat Loaf.
Still, for all his gall, it was next to impossible to fault the guy. Here was
this rotund whirling dervish belting out cosmic word pictures that turned the
cliches of boy meets girl into some kind of lyrical alliance with the gods.
Forget about standing in line for Star Wars! This was the true cultural event! A
piano interlude pushed the spotlight over to Jim Steinman, the songwriting
Jekyll to Meat Loaf's Hyde. Steinman, one of the few Clairemont, California,
natives that lived, forges his literary thunderbolts in a hothouse of overheated
imagery. So what if Zeus wasn't nearsighted. With our without glasses, Steinman
is easily at one with the heavens.
Talking to Meat Loaf the following afternoon about the fact that his show was
probably the closest thing yet to true rock/opera weighed heavily on my head.
And so it seemed the logical place to start. "Yeah, the music has a lot of
elements of opera to it. It's not just three minutes of guitar with some mundane
words thrown in. It's a free and unstructured type of music that allows me room
o do all kinds of things. Straight ahead rock and roll pretty much telegraphs
its one emotional punch. Because what I'm doing borrows from so many influences
and allows for so much improvisation on my part as well as the band's, the
audience is open to any number of emotional highs and lows."
Typical of this interpretive roller coaster ride is the song "Paradise By The
Dashboard Light," a bizarre odyssey that takes the teenage courtship rites to a
dramatic level not unlike the finer moments of Madame Butterfly. Highlighting
the piece is a mid-song dialogue between Meat Loaf and singer Karla de Vito that
runs the gamut from tragedy to comedy. Meat Loaf remarked as to the importance
of other characters in his rock and roll theatre in the round.
"I relate to all songs in terms of playing off different characters. I create
a different character for each song that I sing. Each song demands a different
emotional level so I come up with somebody suitable for the song's situation and
I sing to them. Sometimes, in songs like "Paradise," the character is already
there. But most of the time it's a matter of creating your own.
"What a lot of people don't realize is that what I'm doing is theatre of a
kind and because it is theatre I take my responses from other people on the
stage as opposed to the people in the audience. When I'm up there screaming my
head off or pacing the stage, I'm looking for somebody to bounce something off
me that will push the song to a higher dramatic level. It could be anything. My
guitar player could break off a tasty solo or Jim might make a face. It's all
part of taking a song to a different space each time its played." Meat Loaf's
present state of musical mind is not something that just happened. It is but the
latest bend in a long and winding roan. Born and raised in Dallas, Meat Loaf
teethed n such diverse musical morsels as the Kingston Trio and Mahalia Jackson
before taking his powerful vocals on the road in pursuit of singing gold. His
tendency toward singing excess brought him in contact with an equally rabid Ted
Nugent and the result was that Mr. Loaf did lead vocals on two cuts on Ted's
"Free For All" album.
Quickly recovering from this sudden surge of notoriety, Meat next put his
girth and tonsils to work as the brain damages 50s reject Eddie in the Rock
Horror Picture Show. Following this tour de force, Meat Loaf opted for more
insanity with the National Lampoon Show. And it was on this fateful gig that the
brain of Jim Steinman and the brawn of Meat Loaf hooked up.
The pair's mutual interest in supernatural longhair music soon attracted the
production interest of one Todd Rundgren, a singer/songwriter in his own rite
whose esoteric prose is said to have been learned from a mail order course from
the University of Mars. The result of this unholy alliance emerged late last
year as a big black disc with a small round hole. Behold! A "Bat Out Of Hell!"
All of which brings us rather abruptly back to the present and Meat Loaf's
loose description of the havoc he reaps on stage each night.
"Most of what goes on is improvisation. When I go on stage I have only six
things planned. I know I'm going on stage. I'm going to move to one side of the
mike and then the other. I'll pace at some point. I'll hand the mike to somebody
and I'll take off my coat. The rest of what the audience sees is strictly off
the wall. Sometimes the band doesn't even know what I'm going to do.
"It takes a lot to extend yourself emotionally on stage the way I do. Doing
my show is like standing nude in front of a thousand people. In terms of the
honesty I put into a performance there's no way I can be anymore exposed that I
am."
Meat Loaf punctuated the sentence by wiping a drop of sweat from his brow.
Seven interviews in six hours seemed about ready to take their toll on the big
man. But the question of describing his music revved him up for one last hurrah.
"It's warped! Exciting sounds good. Inventive is okay. How about cinematic?
Romantic violence. Violent romance. It's music for all ages! It's music for the
80s! It's music for the 60s! "It's the music of now!"
Tuesday, October 26, 1999
Piping hot Meat Loaf
Singer becomes sought-after character actor
By LOUIS B. HOBSON -- Calgary Sun
NEW YORK -- The pendulum is on the upswing again for Meat
Loaf.
"For the past 32 years, I've done nothing outside the entertainment business.
I've had some real highs and some real lows, but I love the work so much that
I never once thought of quitting," he says.
"Performers only go wacko when they fall from grace if they like the adulation
more than the work."
Meat Loaf, who is best known for his 1977 debut album Bat Out of Hell, which
has sold more than 50 million copies, is busier than a hellbent bat.
In Fight Club, he stars as a dying man looking for meaning in the last months
of his life.
In Crazy in Alabama, he is the bigoted sheriff of a small town.
On Oct. 30, he kicks off a 25-city tour of his new audience participation
concert tour called Storytellers.
His autobiography To Hell and Back, which is already in bookstores, will be
turned into a made-for-TV movie next year.
"This acting gig is so exciting. I'm getting the kind of critical recognition
I never dared dream possible. Rolling Stone, which never appreciated my music,
called me one of the hottest character actors in the business today."
Meat Loaf, who was born Marvin Lee Aday 52 years ago, made his film debut in
1975 in The Rocky Horror Picture Show, playing the freeze-dried motorcyclist
Eddie.
"I had done the role onstage and I had been looking for a way to break into
films, so this was the natural way to do it. I thought it was going to be a
snap because all I'd have to do was break through a mock wall of ice, sing and
die. I couldn't have been more deluded," he recalls.
"It took us eight days to film four minutes of screen time and each day there
was an accident. My stunt double fell off the ramp with the cycle landing on
him. I rushed over and, in my adrenalin rush, lifted the motorcycle into the
air. He got out from underneath and walked away."
The next day, it was Meat Loaf's turn to crash.
"My stand-in saw what was about to happened and broke his leg trying to
prevent the accident. After a debut like that, every other movie has been a
cakewalk." Well almost.
In Fight Club, Meat Loaf plays Bob, a former bodybuilder who contracted cancer
from his abuse of steroids. The steroids have also produced large female
breasts.
"I was padded from the knees to the elbows and the breast sacs were filled
with flax seeds and weighed 16 lbs. each.
"Brad Pitt teased me incessantly. He was always fondling them. He's a great
kid. Very outgoing. He really livens up a movie set."
Meat Loaf has high praise for his Crazy in Alabama director Antonio Banderas.
"From our first meeting to our final handshake, Antonio treated me like an
equal -- like a professional actor and not some old rocker."
Meat Loaf is not the only actor in the family. His 18-year-old daughter,
Amanda Aday, has a small role as a TV production assistant in Crazy in
Alabama.
"She auditioned on her own. I refuse to pull any strings."
Meat Loaf has learned his lesson.
When Star Wars: Episode One -- The Phantom Menace debuted this summer, Amanda
reminded her father that she could have been playing Queen Amidala.
"Amanda and Natalie Portman are good friends. They were in the same acting
class together when they were both asked to audition for The Professional.
"It came down to the two of them. I refused to let her do the screen test
after I read the screenplay.
"I don't regret that decision. She was too young to start a serious acting
career."
Wednesday, May 13, 1998
Meat Loaf cooking in movies
HOLLYWOOD -- Rock musician Meat Loaf -- who first
roared onto the big screen in the 1975 cult comedy-musical Rocky Horror
Picture Show -- has joined the cast of Fight Club opposite stars Brad Pitt and
Edward Norton, Variety says.
The picture is about two men involved in a love triangle who start a secret
society that gives yuppies the chance to engage in brutal fistfights.
Meat Loaf has appeared in the features Motorama, The Gun In Betty Lou's
Handbag and Wayne's World. His albums include Bat Out Of Hell and Bat Out Of
Hell 2, which have combined sales of an estimated 50 million.
He is currently on location for Antonio Banderas' directing debut, Crazy In
Alabama, with Melanie Griffith, and is on screen in the Patrick Swayze's Black
Dog. His future film roles include The Mighty with Sharon Stone.
November 11, 1995
Role-playing on a grand scale
Marvin's a marvellous Meat Loaf
By WILDER PENFIELD III -- Toronto Sun
Marvin Lee Aday is a gifted actor - a vegetarian, by the
way - and Meat Loaf is his most consuming role.
I thought of him as the Pavarotti of pop. He prefers to think of himself as
"the Robert De Niro of rock."
"I attack lyrics as an actor," he admitted yesterday. "You can't just play
Tennessee Williams at face value. You have to create the spirit and the soul
of it. Same with a song. I have to give it every dimension, and believe it."
AMAZING REVIEWS
This is not just pretension. He has amazing reviews for his Shakespeare in
New York, for musicals in L.A., for some of his 16 movie appearances since
The Rocky Horror Picture Show.
Playing the overwrought rockstar won him last year's Grammy for best rock
vocal performance, and record-setting record sales for the two
ultra-theatrical Bat Out Of Hell collaborations with Jim Steinman, Loaf's
obsessively controlled opposite.
Yesterday he was in character to promote a new non-Steinman album called
Welcome To The Neighborhood, which shipped platinum-and-a-half last week. It
has a grand arc, and great range - a Tom Waits song he has been singing for
20 years, a new Sammy Hagar epic that Meat trimmed and Little Steven turned
back into rock 'n' roll, even Steinman tracks from 1980 and 1989.
"Jimmy said to go ahead. He's working with Andrew Lloyd Webber on some old
Hayley Mills movie called Whistle Down The Wind (turning it into a musical).
But he'll be back for The Final At Bat." Whenever.
The way Meat Loaf sees it, Meat Loaf is a functioning multiple personality
that dissociates to deal with strong emotions.
Aday, not Meat Loaf, has recalled running away from home at 15 in the
clothes he was wearing, the day his alcoholic father attacked him with a
butcher knife, the day after the funeral for his mother (cancer). He has
said that a dozen concussions kept him out of a career in football.
He blamed a mental block for his inability to write. "I know what I want to
say. I know the emotion. I'll direct the scene. But I don't want to write
it. I write bad postcards."
He said crisis is not where he has lived his life "but that's the most fun
to play.
"We can learn from every moment, but I go for those moments in your life
where you go, This can't be happening. This is not real! I like these
emotional peaks. And they really make for a great live performance."
'I AM A TRUE ALTERNATIVE'
He also says: "Ace Ventura II - I'll cry when the raccoon falls. I cried
when I read about it in the paper. I'm much more sensitive than I appear to
be."
At 44, he seems well, even trim at 247 pounds, if not quite back to his
10-year-old weight of 200.
As himself, he is a happily married family-first guy with two daughters, 20
and 14.
But his role allows him to say, "I never fit in. I am a true alternative."
And "I love being the outcast. That's my role in life."
BACK